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Ashanti burst onto the music scene with her 2002 smash hit, self-titled debut album “Ashanti.” It landed the #1 spot on both the Billboard Top 200 and R&B album charts, selling a whopping 504,593 units in its first week. Stream this self-titled debut album from Ashanti. Released on April 2, 2002 by Def Jam Recordings. Leaving (Always on Time, Pt. Foolish Ashanti: The R&B song Foolish is the debut single by American singer/songwriter Ashanti from her self-titled debut album released in April, 2002. The song was produced by Irv Gotti of The Inc. And 7 Aurelius; and written by Ashanti, Mark DeBarge, Etterlene Jordan, Irv Gotti and 7 Aurelius. She became the second artist (after the The Beatles) to have their first three chart entries in the top ten of the Hot 100 simultaneously. Ashanti's self-titled debut album, Ashanti, was released on Irv Gotti's Murder Inc. Record label in April 2002.
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With hitmaker Irv Gotti at the helm, Ashanti blasted into the urban music scene in 2002, topping the charts with multiple singles at once. She quickly became a sensation, gracing the covers of magazines and dominating urban radio. Ashanti built her reputation with duets, where she would complement an already popular rapper -- Ja Rule ('Always on Time'), Fat Joe ('What's Luv?'), the Notorious B.I.G. ('Unfoolish') -- contrasting the tough-guy male perspective with her own. It didn't take the young vocalist long to make a name for herself though: her debut album topped the Billboard album chart just as her debut solo single, 'Foolish,' was topping the Hot 100 chart. Her presence was inescapable.
Ashanti's overnight jump to superstardom followed that of Ja Rule, a similar urban music sensation helmed by Gotti. The New York producer took notice of Ashanti initially because of her beauty, dancing, and acting. She trained as a dancer at the Bernice Johnson Cultural Arts Center, learning a number of dance styles. She danced most notably in Disney's Polly, which starred Phylicia Rashad, and also appeared in a number of big-name music videos, in addition to other dance work. As an actress, she made a name for herself with roles in Spike Lee's Malcolm X and Who's da Man before that. The multi-talented vocalist was causing quite a stir, and Gotti did what he could to bring her into his Murder Inc fold. After showcasing her swooning voice on Big Pun's 'How We Roll' and the Fast and Furious soundtrack -- both in 2001 -- Gotti put Ashanti to work on her debut album, which he produced.
Success came quickly. A duet with Ja Rule, 'Always on Time,' hit number one on Billboard's Hot 100 chart in early 2002 just as a duet with Fat Joe, 'What's Luv?,' was creeping toward the same number one position. These two airplay-heavy singles set the stage perfectly for Ashanti's self-titled debut release. The album's lead single, 'Foolish,' raced up the Hot 100 chart, entering the Top Ten in March alongside 'Always on Time' and 'What's Luv?,' giving her three Top Ten songs in the same week, including the number one and two positions -- a quite spectacular feat. And then Ashanti's album debuted at number one on the album chart, selling an astounding 500,000-plus copies in its first week. https://uninin.netlify.app/realtek-pcie-fe-family-controller-driver-xp-free-download.html. With all this chart-topping, Ashanti set some sales records and her success continued. Gotti readied a remix of 'Foolish,' titled 'Unfoolish,' that featured the Notorious B.I.G. and again overtook urban radio, where no artist was more omnipresent throughout 2002 than Ashanti.
She returned the following year with Chapter II, which likewise topped the Billboard album chart on the heels of its hot lead single, 'Rock wit U (Awww Baby).' The album's success was somewhat eclipsed, however, by all the negative drama surrounding the Murder Inc camp at the time (i.e., an FBI investigation and a G-Unit feud). A Christmas album followed late that year. Concrete Rose appeared in December 2004 and debuted at number seven on the Billboard 200. Though she remained with The Inc for 2008's The Declaration, she sought out a number of songwriters and producers outside the label's in-house team, including Akon, Babyface, and Mario Winans. Highlighted by 'The Way That I Love You' and 'Good Good,' it debuted at number six. Ashanti and the label subsequently parted ways. During the summer of 2009, Ashanti starred as Dorothy in a New York City stage production of The Wiz. Additional acting gigs and television appearances followed, including a role in the series Army Wives. In March 2014, over two years after its intended lead single ('The Woman You Love') was released, Ashanti released Braveheart, her first album for the eOne label. ~ Jason Birchmeier
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Suicide squad. An intriguing broadside by a major label intent on counteracting musical piracy, Island's 7 Series Sampler pruned down the running time (and retail price) of platinum records like Ja Rule's Pain Is Love and Cam'ron's Come Home With Me in hopes of luring in listeners who often download the music for free. The 7 Series Sampler on Ashanti offers seven of the best tracks from her 2002 self-titled debut, including four hit singles: 'Foolish,' 'Happy,' 'Baby,' and 'Dreams.' Since the original was a bit longwinded to begin with, this one's a good choice for those who don't mind the brief running time and lack of complete material. Young, pretty, sexy, stylish, and hip, Ashanti is everything a modern, post-hip-hop soul crooner should be. She looks the part, trucks with hitmakers -- at the time her eponymous debut was released, she was featured on a hit single by Fat Joe -- and even approximates Alicia Keys' visuals on the back cover. She can sing, but she's not showy; she never hyperventilates, she croons. Her first album sounds modern, with fairly fresh beats and lightly insistent hooks, and is just naughty enough to warrant a parental advisory sticker (though if you're just listening to this record, it's nigh on impossible to figure out where the objectionable lines are.) So why doesn't Ashanti play as greater than the sum of its parts? Largely because it lacks distinctive material, either in terms of the actual songs or the production -- and when that's combined with a singer who is good, yet not distinctive herself, the entire production sounds as if it's treading water or providing nifty aural wallpaper. It's not bad by any means, and it has its moments, but it all becomes a blur. A pleasing blur, one that shows promise, but a blur all the same.
Sample | Title/Composer | Performer | Time | Stream |
---|---|---|---|---|
1 | Mark DeBarge / Ashanti Douglas / Irv Gotti / Etterlene Jordan / Marcus Vest | 03:48 | ||
2 | 04:22 | |||
3 | Anselm Douglas / Irv Gotti / Brad Jordan / A. Parker | 04:25 | ||
4 | 05:35 | |||
5 | Ashanti Douglas / Irv Gotti / Brad Jordan | 04:15 | ||
6 | 03:57 | |||
7 | Ashanti Douglas / Irv Gotti | feat: Ja Rule | 04:09 |